Showing posts with label canvas. Show all posts
Showing posts with label canvas. Show all posts

Monday, 28 March 2022

With A Little Help From My Friends...

Hello friends...

How is everyone doing? It's been a week of sunshine here in London and as we turn the clocks forward and head towards summer, it's time for lighter nights and fingers crossed more sunny days and of course, that means more daylight time for crafting! Which leads me nicely into a brand new Simon Says Stamp Monday Challenge which starts today, and this week our theme is all about RECYCLING. So whether you choose to recycle some of those cardboard boxes or old packaging that we all seem to keep for those "just in case" moments, or if you want to recycle some old projects inspiration and update it with a new idea, then we hope you'll join us and can't wait to see what you make!

For my make, I chose to recycle some acetate packaging but also something that I seem to have plenty of and that's the waste from the packs of Stampers Anonymous/Tim Holtz Etcetera Trims! I use plenty of these trims on my projects and I've always kept those boards that I pop them out from ~ in my mind, one day they WILL have a use! So, as I hunted around to see what I could use, I suddenly cast my eye on these and thought they would look so cool as a window frame, and that's exactly what they became...a window of opportunity!

...and here's how I used the waste and acetate on my project!

So let's get started, it's time to get creative!

CANVAS BOARD

To begin with I started with my base and this is a Dina Wakley canvas board that I cut to measure 24 x 18cm. I applied a layer of Antique Linen and Picket Fence Distress Paint over the surface, and then cut a panel of the Liverpool map paper from Backdrops Volume 2. I love this map, and have been waiting for the right opportunity to use it and now was that time because I thought it worked perfectly as the backdrop for this piece.

After distressing and adding small tears around the edges of the paper, I machine stitched a border and then attached the panel to my painted canvas board using Matte Collage Medium.

I applied a coat of the medium over the entire board and paper, before adding some of the black and white dot Design Tape Trim around the edges. I honestly could do with a whole pack of that design, I absolutely LOVE it!

With the board ready, it's now time to recycle those waste products....

FRAME

I used three of the waste pieces from the Pinked Etcetera Trim pack and layered them over the top of one another to form one thick frame. You can see the depth of the frame I created, in the photo below....

After I applied a coat of gesso to the surface, I allowed it to dry before painting it with Sage Acrylic Paint from Dina Wakley. I used this colour, because I always associate it with the era of the photo ~ from kitchen accessories, to clothes and cars, it just seemed to be a colour that was everywhere at the time and I remember it so well from my grandparents and parents photos!

Once the painted surface was dry, I added crackle paste to random areas of the painted frame, allowed this to dry and do its thing before running the Walnut Stain Distress crayon over the top, blending out any harsh lines of colour with my fingertip.

Finally, I applied some of Tim's brand new Foundry Wax around the edges. I applied Gilded using my finger but you are advised to use a brush, just in case of a possible allergic reaction since this is a solvent based product.

I heat set the wax before I attached the finished frame to my board using Matte Collage Medium.

In the bottom left hand corner, I used a Eccentric Remnant Rub, "Factory No. 1896" and just applied it directly to the frame.

At this point, I also attached a Heart Adornment charm which hangs from the centre window. I fixed this to the top frame, using a screw eye fastener and then after painting the centre of the heart with a little Picked Raspberry Distress Paint, I attached the charm to my screw eye fixing.

WINDOWS

With the frame in place, I attached the windows on either side of the main frame.

This window is just one of the new Window Baseboard pieces and because I wanted to create the look of an open window, I cut it in half using a craft knife. Please be careful when doing this...

I attached some acetate, which I took from some recycled packaging and placed this behind each window frame. To create a more vintage feel to the glass, I applied a small amount of Mushroom alcohol Ink, dabbing it onto random areas of the acetate. This is so difficult to show in the photos but it makes so much difference to the project in real life. To attach the acetate, I used adhesive tape before I adhered the completed window frames at an angle onto each side of my main frame, using Matte Collage Medium down the side of each window frame. 

Whilst the medium was drying, I just propped the frames up and this seemed to do the trick, and the frames are set into place and don't move.

TRIMS

Now for the trims and I added Scalloped Etcetera trims to the top, and used one of the Bracket Trims as a ledge for my friends to sit on ~ don't forget to keep that waste!!!!

At the top of the frame, I used two different lengths of the scalloped trims and painted these with a combination of Black Soot and Ground Espresso Distress paint which gave me a rich wood tone to the surface. I also added some more of that Gilded Foundry Wax to the surface, just to add some more depth of colour.

I then attached each trim into place ~ the smaller trim across the top, and the larger trim at a 90˚ angle to form a 'L' shape.

In the centre of the smaller trim, I attached an idea-ology Snippets Number Strip, 217 Chesnut St and aged it with a smear of Walnut Stain Crayon over the top.

To complete the frame and trims, I hammered a Nail Tack onto either side of the smaller trim.

The ledge that I used for the paper dolls is one of the Bracket Etcetera Trims and I added Crackle Paste directly onto the surface. I allowed the paste to dry, before attaching it across the lower section of my frame.

I then added a straight edge strip that I cut away from some more of the waste and painted this with the same combination as before ~ Black Soot and Ground Espresso. I attached this over the top of the crackle trim, just to create a little more height for the ladies to sit on.

PAPER DOLLS

I used a Group Paper Doll for this project and added colour using Distress Crayons and a waterbrush. I also added some white dots to the blouse on the left.

I then attached my paper doll to the ledge, before adding clumps of moss.

To complete this ledge, I added some Bouquet Findings, that I coloured with Antique Linen Distress Spray Stain and Saltwater Taffy Oxide Sprays.

Finally, I added the word "Friendship" in the bottom right hand corner, which is from the Clippings Sticker Book.

So that complete's my project for this week, and I hope you've loved what I've made...

As always, if you make anything, or if you've been inspired by anything that you've seen here on my blog ~ then please, let me know by tagging me on social media or leaving a comment here and I will be right over to take a look!

Don't forget that every week, one lucky random participant has the chance to win a $25 gift voucher from Simon Says Stamp and you can join in up to 5 times, which means you could have 5 chances to winYou have until next Monday at 8am Ohio time. 1pm UK time, 2 pm CET to join in and good luck....






Thank you so much for taking the time to stop by today ~ stay safe and keep well.
Love Emma xxx

Monday, 4 May 2020

Beyond The Sea...

Hello friends! Hope you're all safe and well and welcome to the brand new Simon Says Stamp Monday Challenge...

I can't believe that we're in May already ~ lockdown life sure goes quickly!!! But as we head into another creative week, our theme is all about Spritz and Splatter, and the DT are also showcasing PaperArtsy products within their projects!

With the challenge theme in mind, I instantly thought about water and decided to go under the sea and used PaperArtsy Infusions to build up the background, combining these with some new, and older Tim Holtz stamps.

So, let's get started because it's time to share all the details of how I created my life beyond the sea...


To begin with I started with the background and cut a panel of Distress Watercolor card, 19.5 x 15cm which I then misted very lightly with water. I then started using my Infusions ~ these are water soluble particles with a dye colour pigment and all you need to do is use the smallest amount, less is more! So, taking In The Navy, I sprinkled the particles onto the dampened card, concentrating on the central area and then added a little more water over the top so that the colour starts to pool and intensify.

Between each layer, I tend to heat dry and once the first layer was dry, I then spritzed droplets of water across the card, and added some more of the Infusions ~ The Sage and Violet Storms. If you feel there's too much colour, just dab some away with a towel but I just kept going until I achieved the desired effect of a watery world, under the sea.

I wanted to maintain some white space around the colour, so...I directed any of the droplets or the infusions towards the centre, but allowed some to just spray out from that area.
To add some layers of interest to the background, I used the Field Notes and the Mini Glitch stamp set and stamped wording, numbers and imagery onto the top left...
...and the bottom right hand corners. I used Barn Door and Black Soot Archival Inks to stamp.
Finally, I added some machine stitching to the edges of the panel, leaving some loose strands of thread hanging.

So, I now have the background and after heat setting the inks, I matted it onto dark blue classic kraft card and a layer of silver metallic card, lightly sanding each of the card layers.

I then matted my layers onto a canvas panel, 22.5 x 18cm. I coloured this panel using Ground Espresso and Black Soot Distress Paints, added some torn book paper to give more of a vintage feel to the background and then applied Walnut Stain Distress Crayon around the edges.
After stamping the octopus onto watercolour card, I then fussy cut around the outline before watercoloring it with Distress Marker Pens and a water brush. To complete the octopus, I added some white highlights with a Posca Pen.
Using an offcut of watercolour card ~ this had a smattering of the infusions on the strip and it just worked so well ~ I stamped the wording Shipment Collect from the Field Notes stamp set onto the strip in Barn Door, overstamped with Black Soot Archival Ink.
I machine stitched a border around the edge of the strip and then mounted it across my panel, over a layer of Mummy Cloth that I arranged so that it would show above and below the strip. I then attached a Hardware Head to either side of the strip before placing my Octopus onto the panel, using foam pads to add some height and definition.
Around the edge of the panel and to look as if the scene has been riveted onto the background, I embossed some silver metallic kraft stash with the Foundry 3D Folder and then cut the embossed card into small strips. Taking four strips, I wrapped these around the edges of the canvas and attached them to my panel. I then added some Machinery Heads and some Hardware Heads to each of the metal sections.
To create the rusty look to the metal, I used a combination of Distress Paints ~ Ground Espresso, Rusty Hinge, Vintage Photo and Black Soot and just built up the colour onto each piece and the metal hardware, creating the look of rust.

We're nearly there and all that's left is the details....

...I added some Clippings Stickers to create a quote, " The color of the sea, where only the imagination can go".
And to complete the scene I added some of the smallest size of Melange Pebbles to look like bubbles.

So, that's it from me for today and I hope you love this project and all the techniques I've used to create this underwater scene ~ it was so much fun to create!
As you may know the lovely Heidi, and all the people working behind the scenes at the Simon Says Stamp Store are running on limited operations ~ they are still accepting orders but due to the current Coronavirus (Covid-19) situation, shipping times are going to be slightly longer than usual!

But due to the outbreak we have made the very difficult decision to suspend the $50 vouchers for now but we know that many people are staying safe at home and we would love it if you would continue to enter the challenges and have fun! We are all in this together!






Thank you so much for taking the time to stop by today and see you again soon. 

Stay safe everyone and take care of yourselves and your loved ones...


....love, care, believe ~ Emma
xxx



Recipe for project:

PaperArtsy Infusions: In The Navy, The Sage, Violet Storms

Monday, 16 March 2020

With Brave Wings She Flies...

Hello friends!

Hope you are all safe and well amid the chaos that is currently engulfing the world. When we experience times like these, then there's nothing better than trying to escape it all and settle down to what a lot of us love best ~ creativity and art and today, the brand new Simon Says Stamp Monday Challenge has begun and this week our theme is called, Stencil Fun and we hope you'll find some time to craft along with us!

For my project, I chose to use the gorgeous Tim Holtz Bouquet Layering Stencil to create a background panel for my Scribbly Butterflies to sit upon and used some of Tim's amazing new Distress Embossing Glazes to add colour to this vintage style piece. I also thought that the Theories Quote Chip was the perfect quote for today's piece....
So, let's get started because it's time to have some stencil fun...


To begin with I cut a panel of watercolour card, slightly larger in size than the Bouquet Layering Stencil itself. I then laid down the stencil onto the centre of the card and applied Crackle Paste through it. Once I'd removed the stencil, I then started to add my Glazes, which are just so cool. These glazes are translucent but create a beautiful sheen to the raised areas of crackle paste. They also blend together seamlessly and you can use them as I have here, but there are so many other uses which I am going to be showing you in future posts.

So whilst the paste is still wet, I used a tiny spoon to sprinkle the glazes over the top, applying Weathered Wood, Peeled Paint and Fossilized Amber, applying them to accentuate and pick up the detail of the layering stencil. Once I was happy with the coverage, I set the panel to one side before moving onto the next stage.

Whilst the panel is doing it's thing, I moved onto the butterflies and for this I used the Sizzix Scribbly Butterfly set by Tim Holtz and using watercolour card, I cut each butterfly twice. I then inked one of each of the die cuts using Gathered Twigs Distress Ink before drying them. For the second of each die cut, I watercolored them using Distress Marker Pens and then after drying them thoroughly, I added a little bit of shimmer to the wings by lightly dabbing a glue stick onto the surface and whilst it was still tacky, I applied some foil sheets over the top, transferring the gold metallic sheen onto the wings.
Layer each butterfly die cut by attaching them by their bodies only and then I shaped the wings to give them the appearance of them fluttering.

So moving on, I went back to my panel which was ready for the next stage, and I used a heat tool to gently heat the glazes until they are molten. Don't overheat but you will see a slight change in colour, they become ever so slightly darker when they're melted and of course, they create a glaze.
To create more of a vintage feel to the panel, I then spritzed it with a light mist of water before applying Antique Linen and Frayed Burlap Distress Spray Stains over the top. Be gentle when heat drying the background and any excess colour or moisture, can be dabbed away with a dry cloth. If you need any more, colour just repeat until happy.
So, I now have my background and after cutting the panel down to size, I inked the edges with Gathered Twigs Distress Ink and machine stitched a border around the outside, leaving some of the threads to hang loose.

I then matted and layered my panel onto gold metallic card, followed by a panel of kraft card and a layer of blue card from the Classic Kraft Stash.

I now have the background panel ready and just mounted this onto a canvas panel, slightly larger in size which I painted with a combination of Antique Linen, Pumice Stone and Picket Fence Distress Paints.

I then wrapped some twine around the bottom section of the panel before attaching a Theories Quote Chip using foam pads and of course, no project of mine is complete without some Hardware Heads and after inking them with Rust Alcohol Ink, I added one to either side of the chip.

Now you could leave it there and create a card or  smaller panel but I wanted to make a larger statement piece and decided to mount it onto a second canvas panel which measures, 24 x 17cm.
The panel is pre-gessoed, so all I did was to apply a coat of Antique Linen Distress Paint over the surface. Once the paint was dry, I then dry brushed Pumice Stone and Ground Espresso over the top before heat drying these layers.

I then applied Crackle Paste to the panel, adding various layers of paste to create different sized crackles. After allowing it to dry, I used my fingertip to add some Vintage Collage Medium, again dried the medium and then used a combination of Gathered Twigs and Walnut Stain Distress Crayons, to accentuate the crackles. I usually add a light mist of water over the surface or dampen my fingertip to allow me to blend the crayon into the crackles.
Once I was happy, I wrapped some more twine around the larger sized panel, wrapping it so that it created a fan of twine on either side and then mounted my smaller panel over the top using foam pads before adding some torn pieces of Design Tape to create a bit of interest around the small panel.
We're nearly there and it's just about the finishing touches, starting with a Field Notes Ephemera piece, Private Collection Specimens label which I added underneath the small panel.
I also added some Clips to either side of the twine, inked with Rust Alcohol Ink and placed a Hardware Head over the top.
To complete the butterfly panel, I placed a dress pin into the bodies of the butterflies until they felt secure....
...and added two tacks at the top of the panel.
Finally, I added the Prima Marketing Rusty Clip at the top of the smaller panel...
...and a Remnant Rub number in the top right hand corner.
So, that's my project for this week and I hope you've loved all the ideas and the techniques that I've used. As always, don't hesitate to share your makes by contacting me through social media as I would love to see them and hope you've been inspired by this piece.

Don't forget, if you would like to see more inspiration from my talented teamies over on the challenge blog and every week, one lucky random participant has the chance to win a $50 gift voucher from Simon Says Stamp and you can join in up to 5 times, which means you could have 5 chances to winYou have until Monday 8am Ohio time. 1pm UK time, 2 pm CET to join in and good luck....







Thank you so much for taking the time to stop by today and hope to see you again soon, love Emma

Stay safe everyone and take care of yourselves and your loved ones!
xxx



Recipe for project:


Tim Holtz/Stampers Anonymous: Bouquet Layering Stencil
Tim Holtz/Sizzix: Scribbly Butterflies
Distress Paint: Antique Linen, Pumice Stone, Ground Espresso, Picket Fence
Distress Spray Stain: Antique Linen, Frayed Burlap
Distress Embossing Glaze
Distress Marker Pens
Distress Crayons: Walnut Stain, Gathered Twigs
Alcohol Inks: Rust
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